During the war Witcutt wrote up and appear his addendum on ballad in the binding areas of the West Midlands, including:
"Notes on Staffordshire Folklore" (Folklore, Vol.53, No.2, June 1942, pp. 126–127);
"The Horsley Legend" (Folklore, Vol.55, No.2, June 1944, pp. 73–75);
"The Black Dog" (Folklore, Vol.53, 1942, p. 167).
During the war he encountered Ukrainian refugeees, and this resulted in the bookish commodity "Mortuary Beliefs and Practices Among the Galician Ukrainians", appear in Ballad (Vol.57. No. 2., June 1946).
Witcutt is notable for adventure one of the aboriginal applications of the theories of Jung to abstracted English literature. His book Blake, a cerebral abstraction advised the works of William Blake via the approach of Jungian archetypes. Witcutt corresponded with Jung on the matter.
Other works by Witcutt include:
Catholic Thought And Modern Psychology;
Child in Paradise (a abstraction of the role of fantasy in childhood);
an aboriginal analytical abstraction of D.H. Lawrence, The Cult of D.H. Lawrence.
Witcutt additionally appear a cerebral abstraction of Keats in The Dublin Review.
"Notes on Staffordshire Folklore" (Folklore, Vol.53, No.2, June 1942, pp. 126–127);
"The Horsley Legend" (Folklore, Vol.55, No.2, June 1944, pp. 73–75);
"The Black Dog" (Folklore, Vol.53, 1942, p. 167).
During the war he encountered Ukrainian refugeees, and this resulted in the bookish commodity "Mortuary Beliefs and Practices Among the Galician Ukrainians", appear in Ballad (Vol.57. No. 2., June 1946).
Witcutt is notable for adventure one of the aboriginal applications of the theories of Jung to abstracted English literature. His book Blake, a cerebral abstraction advised the works of William Blake via the approach of Jungian archetypes. Witcutt corresponded with Jung on the matter.
Other works by Witcutt include:
Catholic Thought And Modern Psychology;
Child in Paradise (a abstraction of the role of fantasy in childhood);
an aboriginal analytical abstraction of D.H. Lawrence, The Cult of D.H. Lawrence.
Witcutt additionally appear a cerebral abstraction of Keats in The Dublin Review.
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